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Godfather Movie Scene: Michael Corleone is in charge of the family business and visits Moe Greene to buy out his casino and hotel. Moe Greene is outraged and sees Michaels offer as a sign of disrespect. Michael confronts Moe about slapping Fredo and asks Moe to think about price...
Movie Description: Throughout his long, wandering, often distinguished career Francis Ford Coppola has made many films that are good and fine, many more that are flawed but undeniably interesting, and a handful of duds that are worth viewing if only because his personality is so flagrantly absent. Yet he is and always shall be known as the man who directed the Godfather films, a series that has dominated and defined their creator in a way perhaps no other director can understand. Coppola has never been able to leave them alone, whether returning after 15 years to make a trilogy of the diptych, or re-editing the first two films into chronological order for a separate video release, as is the case here. The films are our very own Shakespearean cycle: they tell a tale of a vicious mobster and his extended personal and professional families (once the stuff of righteous moral comeuppance), and they dared to present themselves with an epic sweep and an unapologetically tragic tone. Murder, it turned out, was a serious business. The first film remains a towering achievement, brilliantly cast and conceived. The entry of Michael Corleone into the family business, the transition of power from his father, the ruthless dispatch of his enemies--all this is told with an assurance that is breathtaking to behold. And it turned out to be merely prologue; two years later The Godfather, Part II balanced Michael's ever-greater acquisition of power and influence during the fall of Cuba with the story of his father's own youthful rise from immigrant slums. The stakes were higher, the story's construction more elaborate, and the isolated despair at the end wholly earned. (Has there ever been a cinematic performance greater than Al Pacino's Michael, so smart and ambitious, marching through the years into what he knows is his own doom with eyes open and hungry?) The Godfather, Part III was mostly written off as an attempted cash-in, but it is a wholly worthy conclusion, less slow than autumnally patient and almost merciless in the way it brings Michael's past sins crashing down around him even as he tries to redeem himself.
Cast: James Caan, Richard S. Castellano, Robert Duvall, Al Pacino, Abe Vigoda, Marlon Brando, John Marley, Richard Conte, Al Lettieri, Diane Keaton
The Godfather - "I'm Moe Greene": http://www.quizandquestions.com/the-godfather-im-moe-greene
Whoever might be causal for the casino's losses, Michele is right when he orders Fredo not to take sides against the family ever again. It's crucial to stick together. If not, the family would be gone already.
You know, I think Michael did Fredo dirty here. Michael shows up, doesn't tell Fredo a thing, and then drops a bomb on Moe Greene. Fredo was trying to be the moderator and I can see why he acted the way he did. If you're the boss, you got to tell your people what is going on so they don't get blindsided and do something wrong in reaction to it.
+Not Cthulhu he did all to secure his family and ended up killing fredo, leaving his wife which he regrets in
3rd part, seeing his daughter face bullet and finally dying all alone. My point is he should have stopped after barzini to avoid karma biting him again but since he is great hero in the movie we will refuse to accept it
That's not who he was. He didn't want to be in the business, so everything he did was like trying to wipe his hands clean of it all; everything and the kitchen sink -- enemies, people who insulted him, family, whatever it took to feel free.